We stayed in Hiroshima for two days, and this time, got ourselves a place to stay. We parked out bags at the Petite Benefit Hotel, which was an adorable little place with spring colored rooms, and a little jazz lounge. Not only was the hotel within walking distance of everything, but for two nights stay, parking, and breakfast, the cost was less than $200! Definitely not bad for being in the city.

This building is just referred to as "the dome". It was one of the only buildings left standing after the bomb, and instead of repairing it and restoring it to its glory, it stands as it did, as a strong reminder of what happened.

Something I didn't realize were the amount of Koreans living in Japan at the time of the bomb. This monument is for them.

The story of Sadako (as mentioned earlier) was one I read in 5th grade. We had a woman from Japan (Ako Hotehama was her name) come to visit, and she talked to us about the horrors of the bomb, as well as Japanese culture. After we read the book Sadako and the Thousand Paper Cranes, our class made a thousand of them, and sent them with her to place at the children's monument in Hiroshima.
Sadako's story is similar to that of Anne Frank's, in the way that it puts a human face on history. Sometimes, its hard for me to fully grasp circumstances, even looking at pictures of distruction, or watching a video. I need a story, someone to connect to, and through their eyes, I can understand. Maybe not completely, but it sinks in. It becomes real.
Even writing this, I feel like I'm going to cry. Sadako was two at the time the bomb went off. She lived for ten years longer before she finally died. The war was over. The bomb was done. A chunk of the city was rebuilt. But the horror, and the sickness, lived on. I think that's something that people don't realize-- radiation sticks, and lingers.
When Arius and I decided to go to Hiroshima, I knew I had to make some cranes of my own. In two days, I folded 74 (and made Arius fold one for 75), strung them together, and finally, was able to place them at the children's monument.

Instead of one or two crane houses, the children's monument has over six. My cranes were placed in the house farthest to the left. Here I'm smiling as I rang the bell, but the smile's only there so I don't start crying all over the place.
Below, you can read about the monument.


Houses for the cranes.
As I went around and looked at them, I noticed that behind the crane houses, were pads of paper. If you left cranes, you could write your name, date, country, and a quote. This would then be registered into their databank. So, of course, I filled one out, then took a little yellow tag, filled out my information again, and stuck it to my garland of cranes.

I lingered for a while, soaking the experience in, then moved on to see the rest of the park.

The peace bell. To make it ring, you gently bring the suspended wooden column to the bell's surface. A low, somber note resonates.

Below is the Cenotaph for A-bomb Victims. From the side, it looks slightly more like the top of a covered wagon than an arch. The design is made to simulate the sort of arch that could hug you, and keep you safe from harm. "Let all the souls here rest in peace, for we shall not repeat the evil," a quote says. In the center, a stone chest holds a registry of all the names of people who died from the bomb. In August 2002, there were more than 225,000 names.

Behind the Cenotaph, which you can't really see, is the Flame of Peace-- a flame that never goes out. It was lit in 1964, and sends both condolences for the victims as well as the statement "until the day when all such weapons shall have disappear from the earth."

Above is the fountain, as well as a portion of the museum.

Across the street, were the bluish green arches of peace, each inscribed with that very word in many languages.

This was taken in the museum. At the time of the bombing, a little boy, three or four years old, was outside riding his bike. Hours after the bombing, the little boy died. His parents, however, survived. They did not want to bury him far away, in the cemetary, fearing that he would be lonely. So instead, the father buried his son, and his son's trike in the backyard. 60 years later, when the parents passed away, the little boy's body was exhumed, and moved to be with his parents. The remaining family members then donated the bike, the helmet, and this heartwrenching story to the museum.
The Hiroshima museum, I feel, was much better than the one at Nagasaki. No country wants to admit the terrible things that its done, but several times throughout Hiroshima's museum, plaques talked about how all countries have to own what they've done. It talked about Pearl Harbor. It talked about how poorly Korean bodies were treated after the bombings. It showed a display of history textbooks, and talked about how there too, we must be honest, not just putting the blame on one people. We must tell the whole story.
In the Nagasaki museum, there was a large timeline on one wall, with the heading "events that lead to the nuclear bombings of Hiroshima and Nagasaki." Only, it didn't talk about the war at all. Instead, all that was listed, were things like "President of United States decides to bomb Japan" and "council deliberates over which city to bomb" and "it is decided to drop the bomb on the following date." In other words-- it was a political timeline that only covered the chats politicians and scientists had after the decision to drop the thing was already made. Interesting, to be sure, but not exactly an objective look at the events that lead to the bombing.

Another picture of the dome.

After walking around the peace park for several hours (and going to this fantastic little tex mex restaurant called "Otis"), Arius and I went to Hiroshima's castle, known as "Carp Castle."

The temple, with fair maiden's sweeping.

A view from right outside the main building. We were a bit disappointed by the castle. True, the structure itself was pretty impressive, but inside, it was a rather drab museum rather than a recreation of what the interior of such a place would have looked like. Plus, there were two smelly drunk guys in the museum too, and that kind of ruined the experience as well. :)
After all the walking, exploring (and sniffling on my part), we headed back to the hotel, got cleaned up and went to dinner! Once there, a drunken (but not smelly) Japanese chap told Arius I looked Spanish and demanded that the waitress bring us drinks. On him! Now I see why Arius likes Japan so much. :)

Up next: Aso and Beyond